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described by critic Simon Reynolds as "a kind of Northern English magic realism that mixed industrial grime with the unearthly and uncanny
"Death Cult" is characterised by a tightening of compositions and a complete amalgamation of the separate stylistic influences into one cohesive musical experience that still offers a broad range and a host of details waiting to be discovered
9 marked the welcome return of a more streamlined and brutal sound not heard since their monumental 1984 effort Don't Break The Oath
Muddy Black Water is a haunting powerful tune
But We Play Them On TV" sees a re-issue from Dayton
Traveller: Central Supply Catalogue KING DIAMOND described by critic Simon Reynolds
