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facing dexter and sinister
he was flexible enough to adapt himself to Neoclassical monumentality—the relief on the Arc de Triomphe du Carrousel
capturing contours and surface details in a negative impression
In London he engraved over two thousand plates
partly because of the high quality of the wool from the region
An Early 20thC Plaster Model of a Human Skull on Ebonised Stand sub-Mirrors & Lighting facing dexter and sinisterOrigin: English Period: Early 20thC Provenance: Unknown Date: c. 1910 30 Height: 6 or 7 on stand Width: 5 or 10. 25 diameter on stand Depth: 7 or 10. 25 diameter on stand With a beautiful patina, the model human skull cast in plaster and hand painted in good detail with the suture lines showing, the whole possibly used for phrenological and medical study, surviving from the early twentieth century period on a nineteenth century ebonised circular
