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They are apocalyptic screeds of black humour hammered out in an obscure corner of east London
' – Omar Berrada
Buiten het blikveld van het bredere publiek
Stitched with brass wire
Ariana Reines
El saltamartí / The Tumbler Poetry's Geographies They are apocalyptic screeds ofJoan Brossa (trans. Cameron Griffiths) In The Tumbler, traditional poetic stanzas sit side by side with a more liberated poetic form one Brossa referred to as a synthetic poetry in which he employs a straightforward, everyday language (it is the language of the working classes with which he identifies). Always the innovator, Brossa reinvigorates this language so as to evince an accessible and archly political poetry that demands our critical and
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