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Men in Aida (1983-85)
fragmented poems
Haar poëzie vormt zich rond globalisering en het inherente geweld tegen de lichamen van vrouwen en migranten
zijn geloofsleven en knapenliefdes vinden er gehoor
Jess Chandler
Firespitter Zusterstad 2.0 Men in Aida (1983-85)Jayne Cortez Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortezs practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism,
