Awaiting Kit Fan Gloort de toekomst eigenlijk nog

Gloort de toekomst eigenlijk nog

and self: “Every animal is deadly / even the shape-shifter

and solitude

maar de grens tussen de ene en de andere is vloeibaar

Retallack's verse emerges

Awaiting Kit Fan Gloort de toekomst eigenlijk nogCharisse Pearlina Weston Part autobiography, part play, part fictive dream as long poem, Awaiting begins by detaching phrases and motifs from two seemingly disparate plays (Lorraine Hansberrys What Use are Flowers? and Samuel Becketts Waiting for Godot) and entangling them into centos or poetic remixes. Through the incorporation of these entanglements, original poetry, and a surreal landscape, what develops is a new work blurring the sightlines of