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at once a vehicle for misinformation as well as a tool for vigilance and veracity forms the vocabulary of this book
œuvre par œuvre
artisan et sculpteur
un goût de pierre à fusil»
la chambre à coucher
Richard Prince Guillaume SOULATGES at once a vehicle forRichard Prince rephotographs the famous cowboy from cigarette ads and places him in a new context. With humour and provocation, his subjects, appropriated from mass media, reveal the visual communication codes of consumer culture. This volume presents a retrospective overview of his work in its full scope. Richard Prince (b. 1949) is one of the most renowned artists of our time. With his appropriations of advertising images, the American painter and
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