1932) has employed both representation and abstraction as a means of reckoning with the legacy
Alice a bien du mal à comprendre ce sport
pays de l'esprit cartésien
des exils forcés et d’un impossible accès à la paix
des contributions de personnalités reconnues (notamment une préface de John Morgan et un entretien avec Robin Kinross) et un corpus d’images d’archives inédites
More Than One Rebecca A. Senf 1932) has employed both representationGio Ponti (18911979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus, which, apart from a break in the 1940s, he continued to direct for the rest of his