Winter in Grasmere, 1951 by William Heaton Cooper R.I. (1903 - 1995) [PRINT]:Framed Print 317 x 267mm / 12.5 x 10.5 inches (Walnut) When working in successive layers

When working in successive layers

particularly botanical artists

yet is not too harsh either

Wildwood is an exploration of the element wood in nature

The pattern of these subtle colours is determined by the strata and cleavage of rock as well as by weathering"

Winter in Grasmere, 1951 by William Heaton Cooper R.I. (1903 - 1995) [PRINT]:Framed Print 317 x 267mm / 12.5 x 10.5 inches (Walnut) When working in successive layersOne of many paintings William did of his home valley, this is a marvellous example of using both wet and dry watercolour brush together in order to depict all of the water reeds, trees and bullrushes by the lake. This rustic setting is completed by a tide of rising mist coupled with chimney smoke escaping out of the village, into the cold air. "What sensation is more delightful than that of tramping along while the crisp snow crunches under foot, and